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Pyotr Ilyich Tchaikovsky's Piano Concerto No. 2 in G major, Op. 44, was written in 1879–1880 and dedicated to Nikolai Rubinstein, who had insisted he perform it at the premiere as a way of making up for his harsh criticism of Tchaikovsky's First Piano Concerto. But Rubinstein never played it, as he died in March 1881, and the work has never ...
Piano Concerto No. 2 (Tchaikovsky) Piano Concerto No. 3 (Tchaikovsky) T. Tchaikovsky Piano Concerto No. 1 (Van Cliburn 1958 recording) V. Violin Concerto (Tchaikovsky)
Piano Concerto No. 1 in B ♭ minor, Op. 23 (1874–75) Sérénade mélancolique, Op. 26, for violin and orchestra (1875) Variations on a Rococo Theme for cello and orchestra, Op. 33 (1876–77) Valse-Scherzo for violin and orchestra, Op. 34; Violin Concerto in D major, Op. 35 (1878) Piano Concerto No. 2 in G major, Op. 44 (1879–80)
Except for a piano sonata written while he was a composition student and a second much later in his career, Tchaikovsky's solo piano works consist of character pieces. [67] While his best known set of these works is The Seasons, [68] the compositions in his last set, the Eighteen Pieces, Op. 72, are extremely varied and at times surprising. [69]
Tchaikovsky Piano Concerto No. 2 may refer to Piano Concerto No. 2 (Tchaikovsky), the second of piano concertos of Pyotr Ilyich Tchaikovsky; Tschaikovsky Piano Concerto No. 2, a 1941 ballet by George Balanchine, to the above music.
Chromatic mediant from Tchaikovsky's Chant sans paroles, Op. 2, No. 3, mm. 43-45 Play ⓘ. Note ♭ VI in root position and the repeated return to I (D ♭ and F, respectively), characteristic of chromatic mediant root movement. [2] Souvenir de Hapsal consists of three pieces for the piano: [3] Ruines d'un château, E minor; Scherzo, F major
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