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The Calling of Saints Peter and Andrew is a painting by the Italian Baroque master Caravaggio. It takes its theme from a passage in the Gospel of Matthew describing the moment when Christ called the two brothers Simon – later known as Peter – and Andrew , to be his disciples:
Tissot, James, The calling of Peter and Andrew. The calling of the disciples is a key episode in the life of Jesus in the New Testament. [2] [3] It appears in Matthew 4:18–22, Mark 1:16-20 and Luke 5:1–11 on the Sea of Galilee. John 1:35–51 reports the first encounter with two of the disciples a little earlier in the presence of John the ...
Matthew 4:22 is the twenty-second verse of the fourth chapter of the Gospel of Matthew in the New Testament.After recruiting Simon Peter and Andrew as disciples, Jesus encountered the brothers James and John and their father Zebedee.
Detail of the characters on the right, with John Argyropoulos in the center. In the background left, the fishermen Peter and Andrew are called by Jesus. The two can also be seen in the background right, behind Jesus, who calls James and John, who are restoring the nets on their father Zebedee's boat.
The Calling is a 2014 Canadian crime thriller film adapted from the 2008 novel of the same name by Michael Redhill (published under the pen name Inger Ash Wolfe). The film stars Susan Sarandon , Gil Bellows , Ellen Burstyn , Topher Grace , Donald Sutherland , and Christopher Heyerdahl .
The Calling of the Apostles Peter and Andrew (from the Maestà), c. 1308–1311. In the synoptic gospels, Peter (then Simon) was a fisherman along with his brother, Andrew, and the sons of Zebedee, James and John. The Gospel of John also depicts Peter fishing, even after the resurrection of Jesus, in the story of the Catch of 153 fish.
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Alongside Röhrig, the film stars Matthias Schoenaerts as Saint Peter, Mark Rylance as Satan, Tawfeek Barhom as John the Baptist, Aidan Turner as Saint Andrew, Ben Kingsley, Joseph Fiennes, and Douglas Booth. It is planned to premiere at the 2025 Cannes Film Festival, making the film Malick's longest editing period. [3]
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