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Came glasswork is the process of joining cut pieces of art glass through the use of came strips or foil into picturesque designs in a framework of soldered metal. Final products include a wide range of glasswork, including stained glass and lead light pieces. Came is made of different metals, such as lead, zinc, brass and copper. The metal came ...
Surrey enamel, a 17th-century type for brass objects such as candlesticks; effectively champlevé. [40] Counter-enamelling, not strictly a technique, but a necessary step in many techniques, especially painted enamel on thin plaques; introduced in 15th-century Europe. Enamel is applied to the back of a piece as well – sandwiching the metal ...
Cloisonné (French:) is an ancient technique for decorating metalwork objects with colored material held in place or separated by metal strips or wire, normally of gold. In recent centuries, vitreous enamel has been used, but inlays of cut gemstones , glass and other materials were also used during older periods; indeed cloisonné enamel very ...
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Strip linings can be added to reinforce the margins of a painting. This practice is important as the margins of a painting are often more damaged than the rest of the canvas. [2] Strip linings strengthen the edges of the canvas so that they can withstand re-stretching. Both strip lining and patching are less invasive than lining.
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Gilded frame ready for burnishing with an agate stone tool Application of gold leaf to a reproduction of a 15th-century panel painting. Gilding is a decorative technique for applying a very thin coating of gold over solid surfaces such as metal (most common), wood, porcelain, or stone. [1] A gilded object is also described as "gilt".
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