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These included three sung versions (with lyrics by Keith Forsey) of songs heard as source music in the film, plus Moroder's love theme for Clark Kent and Lana Lang (used by Thorne as the basis for his own theme), and ending with a completely synthesized version of the Superman II main title march.
Solid Gold – Theme song performed by Dionne Warwick (Seasons 1 and 4) and Marilyn McCoo (Seasons 2–3, 5–8) Some Mothers Do 'Ave Em – Ronnie Hazlehurst; The Sonny & Cher Comedy Hour ("The Beat Goes On") – Sonny Bono and Cher; Sonny with a Chance ("So Far, So Great") – Demi Lovato; The Sooty Show – Alan Braden
2011: Williams' Harry Potter theme also used in Harry Potter and the Deathly Hallows Part 2 also scored by Alexandre Desplat. 2011: Williams' Superman theme used in the Smallville final episode of Season 10 "Finale". 2011: Williams' Star Wars themes used in video game Star Wars: The Old Republic scored by Mark Griskey and Gordy Haab.
The music was one of the last pieces to come into place. Williams' "Theme from Superman (Main Title)" was released as a single, reaching number 81 on the U.S. Billboard Hot 100 and number 69 on the Cash Box chart. [56] Williams liked that the film did not take itself too seriously, and that it had a theatrical camp feel to it. [15]
In addition to composing the score and songs with the Mystic Knights of the Oingo Boingo, Elfman arranged and performed Cab Calloway's "Minnie the Moocher" with new lyrics as the character Satan [3] 1985 Pee-wee's Big Adventure: Tim Burton: Warner Bros. Aspen Film Society: Debut score for a major film studio [4] 1986 Back to School: Alan Metter ...
Strouse acquiesced, and Moriarty hired Aguirre-Sacasa, a "lifelong fan" of the musical. Aguirre-Sacasa moved the musical's setting to 1939, and made the show's primary focus the "love triangle" between Clark Kent, Lois Lane, and Superman. Songs were cut, new songs were commissioned, and the order of songs was changed. [11]
The song, inspired by Superman: The Movie, employs a disco beat and lyrics that describe the singer's wish to be like the fictional character Superman. The song's disco style was created as a response to Arista Records founder Clive Davis's request for "a club-friendly record", despite Ray Davies' hatred of disco. The song was released as the ...
In 2016 New York Observer ranked the song No. 27 in their list of The 30 Best TV Theme Songs of All Time. [17] In 2017 Paste magazine ranked the song No. 38 in their list of The 50 Best TV Theme Songs of All Time. [18] In 2023 American Songwriter magazine ranked the song No. 2 in their list of The Top 10 TV Theme Songs from the 2000s and 2010s ...