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When the non-kissing scene came on, everyone in the room cracked up. The last shot, which looked okay on the set, actually had Bill wildly crossing his eyes. It was so corny and just plain bad, it was unusable. The only alternative was to cut out the scene altogether, but that was impossible to do without ruining the entire episode.
Kiss is regarded as one of the most influential rock bands of all time, [1] [2] as well as one of the best selling bands of all time, claiming to have sold more than 100 million records worldwide, [3] including 21 million [4] RIAA-certified albums. [5] Kiss has also earned 30 Gold albums, the most of any band from the United States.
The episode caused controversy because it depicted 16-year-old lead character Kimberly Brock engaged in same-sex kissing with her best friend and frankly discussing her sexuality. "Sugar & Spice" was an early entry on a list of American television episodes in which a lesbian or possibly lesbian character kisses a straight-identifying character.
The "lesbian kiss episode" is a subgenre of the media portrayal of lesbianism in American television media, created in the 1990s.Beginning in February 1991 with a kiss on the American L.A. Law series' episode "He's a Crowd" between C.J. Lamb and Abby Perkins, [note 1] David E. Kelley, who wrote the episode in question, went on to use the trope in at least two of his other shows.
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In 1979, AVCO Embassy Pictures released Kiss Meets the Phantom of the Park in cinemas outside the United States, with translations of the title Attack of the Phantoms. In some countries—Italy, in particular—the film was titled Kiss Phantoms. The theatrical release featured a vastly different version, with several scenes that did not appear ...
Regarding the kissing scene between the saint and Madonna, Carol Benson observed that the "numerous cut-scenes of burning crosses, shocked face of Madonna, bleeding eye of the icon etc" made a point that multiple times in history, black men have been punished for kissing or desiring white women. [104]
The Kiss (also known as The May Irwin Kiss, The Rice-Irwin Kiss and The Widow Jones) is an 1896 short film, and was one of the first films ever shown commercially to the public. Around 18 seconds long, it depicts a re-enactment of the kiss between May Irwin and John Rice from the final scene of the stage musical The Widow Jones.