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In 1812 Jean-François Boch began construction of kilns at the nearby town of Mettlach, Saarland. In 1824 Boch commenced transfer printing on porcelain from engraved copper plates. On 14 April 1836, the Jean François Boch company merged with that of the competitor, Nicolas Villeroy, and became Villeroy & Boch, (V&B, also simply 'VB'). In 1869 ...
For Villeroy & Boch, that step was the establishment of a pottery in Audun-le-Tiche, Lorraine on April 1st, 1748 their first pattern, Vieux Luxembourg. Just a few decades later, the enterprise counted among the finest of European craftsmen, acclaimed as “Francois Boch et Freres, Manufacture Imperiale et Royale” of Septfontaines , near the ...
Mennecy-Villeroy porcelain (or Mennecy porcelain) is a French soft-paste porcelain from the manufactory established under the patronage of Louis-François-Anne de Neufville, duc de Villeroy (1695–1766) and—from 1748—housed in outbuildings ("les petites maisons") in the park of his château de Villeroy, and in the nearby village of Mennecy (Île-de-France). [1]
Still Life: Tea Set, c. 1781–1783, painting by Jean-Étienne Liotard. Tea caddy is in the back on the left, slop basin − on the right behind the sugar bowl. A Japanese slop basin; slop basins are a common item in tea sets which are used for tea which is no longer fresh and hot enough to drink An English hot water jug and creamer; both items are commonly included in tea sets; the hot water ...
majolica n. 1. is earthenware decorated with coloured lead glazes applied directly to an unglazed body. Victorian majolica is the familiar mass-produced earthenware decorated with coloured lead glazes [6] made during the Victorian era (1837–1900) in Britain, Europe and the US, typically hard-wearing, surfaces frequently moulded in relief, vibrant translucent glazes, in a variety of styles ...
Mark Laird, Hugh Palmer: The Formal Garden. Traditions of Art and Nature. Thames and Hudson, London 1992, ISBN 0-500-01542-2. Günter Mader, Laila Neubert-Mader: The English Formal Garden. Five Centuries of Design. Aurum, London 1997, ISBN 1-85410-473-X. Allen S. Weiss: Mirrors of Infinity. The French Formal Garden and 17th-Century Metaphysics.
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