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[19] [20] From 1996 to October 2001, McQueen was – in addition to his responsibilities for his own label – head designer at French fashion house Givenchy, for which he produced both haute couture and ready-to-wear collections each season. [8] [21] [22] This article concerns itself with McQueen's own-label womenswear collections.
Look 2 at Lee Alexander McQueen & Ann Ray - Rendez-Vous (2024) Voss (Spring/Summer 2001), stylised in all capitals and sometimes informally called the "asylum show", is the seventeenth collection McQueen created for his eponymous fashion house.
McQueen and his team created a collection of 55 looks in 25 days; he found inspiration for the collection in Givenchy's logo and used the myth of Jason and the Argonauts to create the whole concept. The collection, Search for the Golden Fleece (Spring/Summer 1997), was presented at the École des Beaux-Arts in Paris on January 19, 1997, [ 10 ...
In 2011, Mattel released a Lightning McQueen Alive toy, a three-inch reproduction with moving mouth, shoulders and a voice. [44] To coincide with the release of Cars 3, Mattel released a series of toy cars and toy sets, including a 20-inch Lightning McQueen and a "Movie Moves" version featuring dialogue and light effects. [43]
McQueen's friend Chris Bird recalled them "throwing the clothes into bags" to take home in lieu of payment. [50] Niland handled overall styling, with make-up by Lisa Butler. [37] A contemporary newspaper quotes Colin Roy as the hairdresser, but in the Robert Fairer and Claire Wilcox book Alexander McQueen Unseen, they list Eugene Souleiman and ...
[9] [35] The models walked around a bare white square said to be the size of a basketball court, with a 15 by 6 m (50 by 20 ft) screen for a backdrop. [39] [46] [47] As usual for McQueen, headwear for the show was provided by milliner Philip Treacy and jewellery by Shaun Leane. [48] [49] Val Garland styled makeup and Guido Palau was responsible ...
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