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This inspired them to redecorate the Schönrunn's Chinese Cabinets. In the second phase of reconstruction (1755–60) both cabinets received their current appearance with the white painted wooden panelling, the so-called boiseries, and the thin wooden gilded Rococo ornaments. On consoles on the walls, porcelain figures, vases and vessels were ...
A fundamental achievement of Chinese wooden architecture is the load-bearing timber frame, a network of interlocking wooden supports forming the skeleton of the building. This is considered China's major contribution to worldwide architectural technology. However, it is not known how the builders got the huge wooden support columns into position.
Jiehua (simplified Chinese: 界画; traditional Chinese: 界畫) painting, sometimes translated as “border painting,” “boundary painting,” or “ruled-line painting,” is a field within Chinese visual art that describes paintings featuring detailed renderings of architecture with shan shui (mountains and rivers) backgrounds and figures, boats, and carts as embellishments.
Construction of traditional wooden Chinese furniture is based primarily of solid wood pieces connected solely using woodworking joints, and rarely using glue or metallic nails. The reason was that the nails and glues used did not stand up well to the vastly fluctuating temperatures and humid weather conditions in most of Central and Southeast ...
A cabinet painting (or "cabinet picture") is a small painting, typically no larger than two feet (0.6 meters) in either dimension, but often much smaller. [5] The term is especially used for paintings that show full-length figures or landscapes at a small scale, rather than a head or other object painted nearly life-size.
The "Six principles of Chinese painting" were established by Xie He, a writer, art historian and critic in 5th century China, in "Six points to consider when judging a painting" (繪畫六法, Pinyin: Huìhuà Liùfǎ), taken from the preface to his book "The Record of the Classification of Old Painters" (古畫品錄; Pinyin: Gǔhuà Pǐnlù ...
China painting, or porcelain painting, [a] is the decoration of glazed porcelain objects, such as plates, bowls, vases or statues. The body of the object may be hard-paste porcelain , developed in China in the 7th or 8th century, or soft-paste porcelain (often bone china ), developed in 18th-century Europe.
In this period, the "painting of people" (人物畫) developed greatly. Buddhist painting and "court painting" played a major role, including paintings of the Buddha, monks, nobles etc. The Tang era, in terms of painting, was markedly characterized by the production of murals.One of the first landscape murals is located in Han Xiu's tomb. [6]
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