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The term Grand ballabile is used if nearly all participants (including principal characters) of a particular scene in a full-length work perform a large-scale dance. bar, or measure unit of music containing a number of beats as indicated by a time signature; also the vertical bar enclosing it barbaro
Negative polarity can be indicated by negating words or particles such as the English not, or the Japanese affix-nai, or by other means, which reverses the meaning of the predicate. The process of converting affirmative to negative is called negation – the grammatical rules for negation vary from language to language, and a given language may ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
A syntactic expletive is a term used in formal linguistic theories. It is a term for a pronoun that is used at the start of a sentence or clause when the referent is not immediately known, but an argument for the verb is syntactically required. The basic meaning of the clause is made explicit after the verb.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
"Negative capability" is the capacity of artists to pursue ideals of beauty, perfection and sublimity even when it leads them into intellectual confusion and uncertainty, as opposed to a preference for philosophical certainty over artistic beauty. The term, first used by John Keats in 1817, has been subsequently used by poets, philosophers and literary theorists to describe the ability to ...
For example, "我不覺得没有人不知道" (Wǒ bù juédé méiyǒu rén bù zhīdào, "I do not think there is no one who does not know") ambiguously means either "I don't think everyone knows" or "I think someone does not know". A quadruple negative further resolves to a positive meaning embedded with stronger affirmation than a double ...
According to Andranik Tangian, [7] analytical phrasing can be quite subjective, the only point is that it should follow a certain logic. For example, Webern’s Klangfarbenmelodie-styled orchestral arrangement of Ricercar from Bach’s Musical offering demonstrates Webern’s analytical phrasing of the theme, which is quite subjective on the one hand but, on the other hand, logically consistent: