Search results
Results from the WOW.Com Content Network
The Go-Between is a novel by L. P. Hartley published in 1953. His best-known work, it has been adapted several times for stage and screen. The book gives a critical view of society at the end of the Victorian era through the eyes of a naïve schoolboy outsider.
The poem inspired Terrance Hayes' creation of the poetic form "golden shovel". The poem was printed in the booklet of Chicago metalcore band The Killing Tree's 2003 We Sing Sin, whose title is a reference to the poem. It is referenced in the song "We Real Cool" by the band Nick Cave and the Bad Seeds on their 2013 album Push the Sky Away.
[5] Austin pointed out that we use language to do things as well as to assert things, and that the utterance of a statement like "I promise to do so-and-so" is best understood as doing something—here, making a promise—rather than making an assertion about anything; hence the title of one of his best-known works, How to Do Things with Words ...
The Well Wrought Urn: Studies in the Structure of Poetry by Cleanth Brooks and Paul Rand. Harcourt, Brace 1975 ISBN 9780156957052 "Review of Poems, in Two Volumes by Francis Jeffrey, in Edinburgh Review, pp. 214–231, vol. XI, October 1807 – January 1808; Composed upon Westminster Bridge, September 3, 1802 in audio on Poetry Foundation
Satirical print from 1830 depicting a goose lamenting the loss of the Commons to Prime Minister Sir Robert Peel, 1st Baronet, a Duke and King William IV. "The Goose and the Common", also referred to as "Stealing the Common from the Goose", is a poem written by an unknown author that makes a social commentary on the social injustice caused by the privatization of common land during the ...
Different 'Round Here is the debut studio album by American country music singer Riley Green. It was released on September 20, 2019, via Nashville Harbor Records & Entertainment . Content
From The New York Times Book Review: "Sorokin's pyrotechnics are often craftily twinned with Soviet-era references and conventions. The title and 24-hour frame of Day of the Oprichnik bring to mind Solzhenitsyn's One Day in the Life of Ivan Denisovich (1962), an exposé of a Gulag camp that depicts an Everyman-victim who finds dignity in labor, almost like a Socialist Realist hero.
Why We Oppose Pockets for Women. 1. Because pockets are not a natural right. 2. Because the great majority of women do not want pockets. If they did they would have them. 3. Because whenever women have had pockets they have not used them. 4. Because women are required to carry enough things as it is, without the additional burden of pockets. 5.