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Der Rosenkavalier (The Knight of the Rose or The Rose-Bearer [1]), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. [2] It is loosely adapted from Louvet de Couvrai 's novel Les amours du chevalier de Faublas and Molière 's comedy Monsieur de Pourceaugnac . [ 3 ]
The Lausanne School of economics is an extension of the neoclassical school of economic thought, named after the University of Lausanne in Switzerland. The school is primarily associated with Léon Walras and Vilfredo Pareto, both of whom held successive professorships in political economy at the university, in the latter half of the 19th ...
The German historical school of economics. [ 1 ] was an approach to academic economics and to public administration that emerged in the 19th century in Germany, and held sway there until well into the 20th century.
In A.Y. 2010-2011, the College of Business and Economics formally separated into two entities: The College of Business (COB) and the School of Economics (SOE). College of Business focuses on attracting students who aspire to become business professionals or professors of the faculty who would like to share their knowledge to help other aspiring ...
At the undergraduate level, the Robert Day School offers a broad array of coursework in economics, finance, and accounting. The undergraduate majors build of theoretical foundations of microeconomics and macroeconomics, and stress applications of theory to a variety of topics, as reflected in over 40 upper-level courses.
Alexander Gerschenkron (Russian: Александр Гершенкрон; 1 October 1904 – 26 October 1978) was an American economic historian and professor at Harvard University, trained in the German Historical School of economics.
Der Rosenkavalier (The Knight of the Rose) is a 206-minute studio album of Richard Strauss's opera, performed by a cast led by Jules Bastin, José Carreras, Derek Hammond-Stroud, Evelyn Lear, Frederica von Stade, and Ruth Welting with the Rotterdam Philharmonic Orchestra under the direction of Edo de Waart. It was released in 1977.
Norman Del Mar writes that Strauss took no part in the writing or arranging of the Suite: . Michael Kennedy says the same thing (1995, p. 179), saying that Rodzinski arranged the piece (the passage is viewable on GoogleBooks but only in the "result" form, not as a snippet or preview ; if you Control+F kennedy it will take you to it).