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16 mm film is a historically popular and economical gauge of film. 16 mm refers to the width of the film (about 2⁄3 inch); other common film gauges include 8 mm and 35 mm. It is generally used for non-theatrical (e.g., industrial, educational, television) film-making, or for low-budget motion pictures. It also existed as a popular amateur or ...
Although known for manufacturing their film projectors, a partnership with Canon between 1961 and 1976 offered still cameras. Many of their 35mm SLR cameras were manufactured by Canon with the Bell & Howell logo or Bell & Howell/Canon in place of the Canon branding. The firm dropped the production of movie cameras by the end of the 1970s.
A 16 mm "reel" is 400 feet (122 m). It runs, at sound speed, approximately the same amount of time (11–12 minutes) as a 1,000-foot (305 m) 35 mm reel. A "split reel" is a motion picture film reel in two halves that, when assembled, hold a specific length of motion picture film that has been wound on a plastic core.
The most popular home content were comedic shorts (typically less than 20 minutes in length in the original release) and bundles of cartoons previously seen in movie theaters. 16 mm enjoys widespread use today as a format for short films, independent features and music videos, being a relatively economical alternative to 35 mm. 16 mm film was a ...
8 mm film is a motion picture film format in which the film strip is eight millimetres (0.31 in) wide. It exists in two main versions – the original standard 8 mm film, also known as regular 8 mm, and Super 8. Although both standard 8 mm and Super 8 are 8 mm wide, Super 8 has a larger image area because of its smaller and more widely spaced ...
The first cue mark, which is displayed on the first image, means that there are about 8 seconds until the end of the reel. The second cue mark, displayed on the second image, means that there is about 1 second until the end of the reel. A cue mark, also known as a cue dot, a cue blip, a changeover cue[1] or simply a cue, is a visual indicator ...
A Scopitone film spool. The first Scopitones were made in France by a company called Cameca on Blvd Saint Denis in Courbevoie, among them Serge Gainsbourg's "Le poinçonneur des Lilas" (filmed in 1958 in the Porte des Lilas Métro station), [4] Johnny Hallyday's "Noir c'est noir" a French version of Los Bravos' "Black Is Black") and the "Hully Gully" showing a dance around a swimming pool.
For 35 mm film these are 0.1866" and 0.1870" (4.740 mm and 4.750 mm); for 16 mm film they are 0.2994" and 0.3000" (7.605 mm and 7.620 mm). This distinction arose because early nitrocellulose film base naturally shrank about 0.3% in processing due to heat, so film printing equipment was designed to account for a size difference between its ...
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