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Major Chinese language Commentaries on the Heart Sutra # English Title [af] Taisho Tripitaka No. [69] Author [ag] Dates School 1. Comprehensive Commentary on the Prañāpāramitā Heart Sutra Archived 2017-11-16 at the Wayback Machine: T1710: Kuiji: 632–682 CE: Yogācāra: 2. Prajñāpāramitā Heart Sutra Commentary [41] T1711: Woncheuk: 613 ...
Translated into a variety of languages over a broad geographic range, the Diamond Sūtra is one of the most influential Mahayana sutras in East Asia, and it is particularly prominent within the Chan (or Zen) tradition, [ 1 ] along with the Heart Sutra.
The Heart Sutra with a Tibetan commentary 2001 Lopez, Donald S. Elaborations on Emptiness ISBN 0-691-00188-X: Princeton The Heart Sutra with eight complete Indian and Tibetan commentaries 1998 Lopez, Donald S. The Heart Sutra Explained ISBN 0-88706-590-2: SUNY The Heart Sutra with a summary of Indian commentaries 1987 Rabten, Geshe
Mahāyāna Buddhism. The Shurangama or Śūraṅgama mantra is a dhāraṇī or long mantra of Buddhist practice in East Asia. Although relatively unknown in modern Tibet, there are several Śūraṅgama Mantra texts in the Tibetan Buddhist canon. It has strong associations with the Chinese Chan Buddhist tradition.
East Asian Madhyamaka is the Buddhist tradition in East Asia which represents the Indian Madhyamaka (Chung-kuan) system of thought. In Chinese Buddhism, these are often referred to as the Sānlùn (Ch. 三論宗, Jp. Sanron, "Three Treatise") school, [1] also known as the " emptiness school" (K'ung Tsung), [2] although they may not have been an ...
In Chinese-speaking countries and in Vietnam , this text is as popular as the Eleven-Faced Avalokiteśvara Heart dhāraṇī Sutra, with which it is often confused. This confusion probably stems from the fact that the two dhāraṇī are often incorrectly referred to by the same title: Great Compassion Mantra .
Buddhist traditions have generally divided these texts with their own categories and divisions, such as that between buddhavacana "word of the Buddha," many of which are known as "sutras", and other texts, such as "shastras" (treatises) or "Abhidharma". [1][4][5] These religious texts were written in different languages, methods and writing ...
The Prajnaparamita Sutras and Madhyamaka emphasized the non-duality of form and emptiness: form is emptiness, emptiness is form, as the Heart Sutra says. [44] The idea that the ultimate reality is present in the daily world of relative reality fitted into the Chinese culture which emphasized the mundane world and society.