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B♭ alto — up a perfect fourth. A — up a major third. G — up a major second. E — down a minor second. E♭ — down a major second (used for horn on pitches with multiple sharps until Richard Strauss) D — down a minor third. C — down a perfect fourth. B♭ basso — down a perfect fifth. Some less common transpositions include:
Hand-stopping. Hand-stopping is a technique by which a natural horn or a natural trumpet can be made to produce notes outside of its normal harmonic series. By inserting the hand, cupped, into the bell, the player can reduce the pitch of a note by a semitone or more. This, combined with the use of crooks changing the key of the instrument ...
On bowed string instruments, a stopped note is a played note that is fingered with the left hand, i.e. not an open string. [1] This assists with tone production, the addition of vibrato, and sometimes additional volume but creates difficulty in that bowed string instruments do not have frets, requiring ear training and accurate finger placement ...
This fairly common extended technique involves bowing the instrument on the afterlength, the short length of string behind the bridge. The tone is very high and squeaky. 3rd bridge is a term more used on electric guitars or prepared guitars, but is the same technique. Playing the instrument at a string part behind the bridge causes the opposed ...
American String Teachers. Association. v. t. e. The Kodály method, also referred to as the Kodály concept, is an approach to music education developed in Hungary during the mid-twentieth century by Zoltán Kodály. His philosophy of education served as inspiration for the method, which was then developed over a number of years by his associates.
Playing a string harmonic (a flageolet) is a string instrument technique that uses the nodes of natural harmonics of a musical string to isolate overtones. Playing string harmonics produces high pitched tones, often compared in timbre to a whistle or flute. [1][2] Overtones can be isolated "by lightly touching the string with the finger instead ...
Sweep picking. Sweep picking is a guitar-playing technique. When sweep picking, the guitarist plays single notes on consecutive strings with a 'sweeping' motion of the pick, while using the fretting hand to produce a specific series of notes that are fast and fluid in sound. Both hands essentially perform an integral motion in unison to achieve ...
Pizzicato (/ ˌpɪtsɪˈkɑːtoʊ /, Italian: [pittsiˈkaːto]; translated as 'pinched', and sometimes roughly as 'plucked') [1] is a playing technique that involves plucking the strings of a string instrument. The exact technique varies somewhat depending on the type of instrument:
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