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Here, the twelve-bar progression's last dominant, subdominant, and tonic chords (bars 9, 10, and 11–12, respectively) are doubled in length, becoming the sixteen-bar progression's 9th–10th, 11th–12th, and 13th–16th bars, [citation needed]
The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements ...
Barrelhouse Buck McFarland. Thomas F. McFarland (September 16, 1903 – April 8, 1962), known professionally as Barrelhouse Buck McFarland was an American blues and boogie-woogie pianist, singer and composer. [1] He first recorded material in the early 1930s, but had to wait until three decades later, before providing his 'barrelhouse' swan song.
In music, the V–IV–I turnaround, or blues turnaround, [1] is one of several cadential patterns traditionally found in the twelve-bar blues, and commonly found in rock and roll. [2] The cadence moves from the tonic to dominant, to subdominant, and back to the tonic. "In a blues in A, the turnaround will consist of the chords E 7, D 7, A 7, E ...
In music, an eight-bar blues is a common blues chord progression. Music writers have described it as "the second most common blues form" [1] being "common to folk, rock, and jazz forms of the blues". [2] It is often notated in 4. 8 time with eight bars to the verse.
Songwriter (s) Unknown. " It Hurts Me Too " is a blues standard, regarded as one of the most interpreted songs in the genre. [2] First recorded in 1940 by Tampa Red, the song is a mid-tempo eight-bar blues that features slide guitar. It borrows from earlier blues songs and has been recorded by many artists.
Unknown. " Bottle Up and Go " or " Bottle It Up and Go " is a song that is a standard of the blues. [1] Based on earlier songs, Delta bluesman Tommy McClennan recorded "Bottle It Up and Go" in 1939. The song has been interpreted and recorded by numerous artists, sometimes using alternate titles, such as "Step It Up and Go", "Shake It Up and Go ...
"Juke" is a harmonica instrumental recorded by the Chicago bluesman Little Walter Jacobs in 1952. Although Little Walter had been recording sporadically for small Chicago labels over the previous five years, and had appeared on Muddy Waters' records for Chess Records since 1950, "Juke" was Little Walter's first hit, and it was the most important of his career.