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Caught in the Rain (song) " Caught in the Rain " is a song by American post-grunge band Revis that first appeared in the end credits to Daredevil, and was also included in the film's soundtrack Daredevil: The Album. [3] It was released in April 2003 as the lead single from the band's debut album, Places for Breathing.
Professional ratings. Places for Breathing is the first studio album by American post-grunge band Revis. Released in May 2003 on Epic Records, it was recorded in 2002 at NRG Recording Studios in North Hollywood. The album features the singles "Caught in the Rain" and "Seven" and debuted at number one on Billboard's Heatseekers chart.
Revis released two singles to rock radio hits, "Caught in the Rain", and "Seven". The first single, "Caught in the Rain" peaked at number 8 on the Mainstream Rock Radio charts during a 26-week chart run, [ 6 ] and was on the Billboard Alternative Rock charts for 16 weeks, peaking at number 20. [ 7 ]
Revis' "Caught in the Rain" was originally recorded for their debut album, Places for Breathing, though this album did not see release until three months after the soundtrack. BoySetsFire's "High Wire Escape Artist" appeared on their third album, Tomorrow Come Today , a few weeks after the soundtrack.
English (Original intertitles) Caught in the Rain. Caught in the Rain is a 1914 American comedy silent film starring Charlie Chaplin. [1] This film was the first of many movies in which Chaplin both directed and played the lead. The short film was produced by Mack Sennett for Keystone Studios with a running time of 16 minutes.
Caught in the Rain (disambiguation) Caught in the Rain is a 1914 film. Caught in the Rain may also refer to: Caught in the Rain (song), by Revis, 2003. Category:
Abandoned cars sit on a flooded North 14th Avenue on Thursday, June 13, 2024, in Hollywood, Florida. Residents in Hollywood woke up to flooded streets and debris after Wednesday’s storm left ...
The music press largely considers Among the Living one of the strongest thrash metal albums ever recorded. [22] In comparison with Spreading the Disease, the songs on the album generally feature faster rhythms granted by Benante's double-pedal bass-drum beats, stronger hardcore influences in the frequent gang choruses and a more aggressive vocal delivery by Belladonna. [23]