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La mer was the second of Debussy's three orchestral works in three sections, the other being Nocturnes (1892–1899) and Images pour orchestre (1905–1912). The first, the Nocturnes, premiered in Paris in 1901 and though it had not made any great impact on the public, it was well-reviewed by musicians including Paul Dukas, Alfred Bruneau and Pierre de Bréville.
Sheet music, primarily vocal music of American imprint, dating from the 18th century to the present, with most titles in the period 1840–1950. John Hay Library at Brown University: ART SONG CENTRAL: downloadable, IPA transcriptions, vocal: 1,000 Printable sheet music primarily for singers and voice teachers—most downloadable.
The Piano Trio in G major, L. 5 (revised Lesure catalogue; originally L. 3), was written by an 18-year-old Claude Debussy in 1880 in Fiesole, Italy, where he resided at Nadezhda von Meck's. Most of the autograph of the work was thought to be lost until 1982, when it was discovered from the legacy of Maurice Dumesnil , a pupil of Debussy's.
IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.
Le vent dans la plaine: Animé (The Wind in the Plain) 3. La puerta del Vino: Mouvement de Habanera The title refers to one of the gates of the Alhambra in Granada (a city previously evoked in La soirée dans Grenade) 4. «Les sons et les parfums tournent dans l'air du soir»: Modéré ("The sounds and fragrances swirl through the evening air") 4.
"Beau soir": Scores at the International Music Score Library Project "Beau soir", French and English text, from Richard Stokes: A French Song Companion (Oxford, 2000) Sheet music for "Beau soir" Meredith Gailey. Claude Debussy: "Beau soir" (Lorsque au soleil couchant les rivières sont roses), song for voice & piano, L. 84 (6) at AllMusic
The use of perfect fourths and fifths to sound in parallel with and to "thicken" the melodic line was prevalent in music prior to the European polyphonic music of the Middle Ages. In the 13th century, the fourth and fifth together were the concordantiae mediae (middle consonances) after the unison and octave, and before the thirds and sixths.
Sheet music enables instrumental performers who are able to read music notation (a pianist, orchestral instrument players, a jazz band, etc.) or singers to perform a song or piece. Music students use sheet music to learn about different styles and genres of music. The intended purpose of an edition of sheet music affects its design and layout.
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