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In the Republic, Plato's Socrates raises a number of criticisms of democracy.He claims that democracy is a danger due to excessive freedom. He also argues that, in a system in which everyone has a right to rule, all sorts of selfish people who care nothing for the people but are only motivated by their own personal desires are able to attain power.
A directorial republic is a government system with power divided among a college of several people who jointly exercise the powers of a head of state and/or a head of government. Merchant republic: In the early Renaissance, a number of small, wealthy, trade-based city-states embraced republican ideals, notably across Italy and the Baltic.
The connection between music and politics has been seen in many cultures. People in the past and present – especially politicians, politically-engaged musicians and listeners – hold that music can 'express' political ideas and ideologies, such as rejection of the establishment ('anti-establishment') or protest against state or private actions, including war through anti-war songs, but also ...
As a musical movement, nationalism emerged early in the 19th century in connection with political independence movements, and was characterized by an emphasis on national musical elements such as the use of folk songs, folk dances or rhythms, or on the adoption of nationalist subjects for operas, symphonic poems, or other forms of music. [1]
For example, in the Republic (iii.10–11) Plato describes the music a person is exposed to as molding the person's character, which he discusses as particularly relevant for the proper education of the guardians of his ideal State. Aristotle in the Politics (viii:1340a:40–1340b:5): But melodies themselves do contain imitations of character.
French philosopher Jean Bodin's definition of the republic was "the rightly ordered government of a number of families, and of those things which are their common concern, by a sovereign power." Oligarchies and monarchies could also be included as they were also organised toward 'public' shared interests. [ 12 ]
Philosophy of music is the study of "fundamental questions about the nature and value of music and our experience of it". [1] The philosophical study of music has many connections with philosophical questions in metaphysics and aesthetics.
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...