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Retrieval-Augmented Generation (RAG) is a technique that grants generative artificial intelligence models information retrieval capabilities. It modifies interactions with a large language model (LLM) so that the model responds to user queries with reference to a specified set of documents, using this information to augment information drawn from its own vast, static training data.
LangChain is a software framework that helps facilitate the integration of large language models (LLMs) into applications. As a language model integration framework, LangChain's use-cases largely overlap with those of language models in general, including document analysis and summarization , chatbots , and code analysis .
In-context learning, refers to a model's ability to temporarily learn from prompts.For example, a prompt may include a few examples for a model to learn from, such as asking the model to complete "maison → house, chat → cat, chien →" (the expected response being dog), [23] an approach called few-shot learning.
Roshan (music director) Lata Mangeshkar: Hindi: Gaud Malhar: Jurm-e-Ulfat Pe Taj Mahal (1963 film) Roshan (music director) Lata Mangeshkar: Hindi: Gaud Malhar: Sharabi, Sharabi Ye Savan Ka Mausam Noor Jehan (film) Roshan (music director) Suman Kalyanpur: Hindi: Gaud Sarang: Woh Dekhen To Unki Inayat Funtoosh: S. D. Burman: Kishore Kumar & Asha ...
On September 27, 2012, following a four-month pause after the "Steve Jobs vs. Bill Gates" episode, a video was released on the series' YouTube channel where Ahlquist (voicing to an animation of Theodore Roosevelt) announced that new episodes would be released every two weeks until the Christmas holidays, [16] starting with the 22nd episode ...
"The Vatican Rag" takes musical inspiration from ragtime pieces such as "Spaghetti Rag" (1910) and "The Varsity Drag" (1927).[1] [2] A spoken introduction describes the song as a response to the "Vatican II" council—which, among other things, broadened the range of music that could be used in services—and humorously proposes this rag as a more accessible alternative to traditional ...
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Wongo Okon of Uproxx describes the song as Baby Keem "leading the way with near-mumble raps" before Travis Scott "arrives with his trademark autotune croons". [5] In the song, Baby Keem and Travis Scott talk about "money, influence, and women in their lives", which they describe as "durag activity", over a "clicking, slinking" beat. [6] "