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James Mercer Langston Hughes (February 1, 1901 [1] – May 22, 1967) was an American poet, social activist, novelist, playwright, and columnist from Joplin, Missouri.One of the earliest innovators of the literary form called jazz poetry, Hughes is best known as a leader of the Harlem Renaissance.
Mulatto: A Tragedy of the Deep South is a tragic play about race issues in the American south by Langston Hughes. It was produced on Broadway in 1935 by Martin Jones, [1] where it ran for 11 months and 373 performances. [2] It is one of the earliest Broadway plays to combine father-son conflict with race issues. [3]
"Mother to Son" is a 1922 poem by American writer and activist Langston Hughes. The poem follows a mother speaking to her son about her life, which she says "ain't been no crystal stair". She first describes the struggles she has faced and then urges him to continue moving forward.
Langston Hughes didn't spend much of his childhood in Missouri, but the poet's presence lingers. Hughes, one of our truest American compasses, entered the world on the first day of February 1901 ...
I learned that Langston Hughes wrote a poem about Black voters in Miami while researching a story six years ago. In “The Ballad of Sam Solomon,” Hughes documents how Overtown resident Samuel B ...
Langston Hughes was an American poet. Hughes was a prominent figure in the Harlem Renaissance and wrote poetry that focused on the Black experience in America. [3] The poem was published in Hughes's book Montage of a Dream Deferred in 1951. [4] The book includes over ninety poems [5] that are divided into five sections.
Advertisement for the Waldorf-Astoria" is a two-page poem by Langston Hughes, accompanied by illustrations by Walter Steinhilber, which takes the form of a parody of a magazine advertisement. The poem was first published in The New Masses in December 1931 and later in Hughes's autobiography of that time period, The Big Sea.
Hans Ostrom. "Langston Hughes's 'The Blues I'm Playing'", in a Reference Guide to Short Fiction, ed. Thomas Riggs. Detroit: St. James Press, 1999, 770-771. Hans Ostrom. Teaching The Ways of White Folks, in Teaching the Harlem Renaissance, ed. Michael Soto. New York: Peter Lang, 2008, Part II, Chapter 13, 137-144. Hans Ostrom.