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Guastavino tile vaulting in the City Hall station of the New York City Subway Guastavino ceiling tiles on the south arcade of the Manhattan Municipal Building. The Guastavino tile arch system is a version of Catalan vault introduced to the United States in 1885 by Spanish architect and builder Rafael Guastavino (1842–1908). [1]
Sample work from the tile plant established by Henry Chapman Mercer, now the Mercer Museum. Handmade tiles are still produced in a manner similar to that developed by the pottery's founder and builder, Henry Chapman Mercer. Tile designs are reissues of original designs. Mercer was a major proponent of the Arts and Crafts movement in America. He ...
Illustration to Serlio, rusticated doorway of the type now called a Gibbs surround, 1537. Although rustication is known from a few buildings of Greek and Roman antiquity, for example Rome's Porta Maggiore, the method first became popular during the Renaissance, when the stone work of lower floors and sometimes entire facades of buildings were finished in this manner. [4]
The tile works complex is located just north of Fonthill, off Swamp Road. Built in 1911-12, it resembles a medieval cloister, with an arched colonnade surrounding a central courtyard. The main portion of the structure is 2-1/2 stories in height, and houses five kilns. The facility continues to actively produce tile, [2] using molds created by ...
Henry Chapman Mercer (June 24, 1856 – March 9, 1930) [1] was an American archeologist, artifact collector, tile-maker, and designer of three distinctive poured concrete structures: Fonthill, his home; the Moravian Pottery and Tile Works; and the Mercer Museum.
Guastavino tiles form the domes of Philadelphia's St. Francis de Sales Roman Catholic Church. At Pittsburgh's Union Station, the vaulting of the carriage turnaround is a Guastavino tile system. Wall and vault tiles are by Guastavino at the Buffalo Central Terminal. In Nebraska, the tiles may be seen in the Nebraska State Capitol.