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Xue was born in either Suzhou or Jiaxing (contemporary sources disagree). [3] According to the historian Qian Qianyi she spent at least some of her childhood in Beijing. [4] Due to her poor background, Xue Susu had performed in a circus troupe since she was a child, and developed the skills of riding a horse, shooting a slingshot, and walking on a rope. [5]
Prosperous Suzhou (simplified Chinese: 姑苏 繁华 图; traditional Chinese: 姑蘇 繁華 圖; pinyin: Gūsū Fánhuá Tú), originally entitled Burgeoning Life in a Resplendent Age (simplified Chinese: 盛世 滋生 图; traditional Chinese: 盛世 滋生 圖; pinyin: Shèngshì Zīshēng Tú), is an 18th-century scroll painting created in 1759 by the Chinese court painter Xu Yang.
Date/Time Thumbnail Dimensions User Comment; current: 21:22, 22 September 2024: 720 × 746 (479 KB): Lajmmoore: Uploaded a work by Arthur Maurice Hocart from Jacobs, Karen.
This is a partial list of 20th-century women artists, sorted alphabetically by decade of birth.These artists are known for creating artworks that are primarily visual in nature, in traditional media such as painting, sculpture, photography, printmaking, ceramics as well as in more recently developed genres, such as installation art, performance art, conceptual art, digital art and video art.
This is a partial list of 21st-century women artists, sorted alphabetically by decade of birth.These artists are known for creating artworks that are primarily visual in nature, in traditional media such as painting, sculpture, photography, printmaking, ceramics as well as in more recently developed genres, such as installation art, performance art, conceptual art, digital art and video art.
The absence of women from the canon of Western art has been a subject of inquiry and reconsideration since the early 1970s. Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?", examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and ...
Barbara Hepworth, Monolith-Empyrean, 1953, Kenwood House, London Harriet Hosmer, The Sleeping Faun (c. 1870), Cleveland Museum of Art Gabriela von Habsburg (born 1956), Europe Emmeline Halse (1853–1930), United Kingdom
Chen Shu was born into an elite family in Jiaxing, Zhejiang province. Having an artist as a father, she was able to self-study in painting as a young girl. Due to mixed feelings about women's education at the time, education was available to only a few women of the elite. [3]