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Chelsea Candelario/PureWow. 2. “I know my worth. I embrace my power. I say if I’m beautiful. I say if I’m strong. You will not determine my story.
Oskar Barnack (Nuthe-Urstromtal, Brandenburg, 1 November 1879 – Bad Nauheim, Hesse, 16 January 1936) was a German inventor and photographer who built, in 1913, what would later become the first commercially successful 35mm still-camera, subsequently called Ur-Leica at Ernst Leitz Optische Werke (the Leitz factory) in Wetzlar.
Watriss has received awards from The World Press Foundation (The Netherlands), Oskar Barnack Award, Missouri School of Journalism 'Pictures of the Year', The XI International Interpress Photo and The Women's International Democratic Federation (Germany). [1] In 2013 Watriss received the Lifetime Achievement Award from the Houston Fine Arts Fair ...
The Leica Oskar Barnack Award, presented almost continuously since 1979, recognizes photography expressing the relationship between man and the environment.It was known as the Oskar Barnack Award when presented by World Press Photo between 1979 and 1992, and has been known as the Leica Oskar Barnack Award while presented by Leica Camera since 1995.
Ruth Pitter (1897–1992), English poet, first woman to receive Queen's Gold Medal for Poetry, in 1955; Esther Raab (1894–1981), Palestinian/Israeli poet and prose writer; Elsa Rautee (1897–1987), Finnish poet; Nelly Sachs (1891–1970), Jewish German poet and playwright; Vita Sackville-West (1892–1962), English writer, poet and gardener
Sisterhood Is Powerful: An Anthology of Writings from the Women's Liberation Movement is a 1970 anthology of feminist writings edited by Robin Morgan, a feminist poet and founding member of New York Radical Women. [1] It is one of the first widely available anthologies of second-wave feminism.
Since its 1987 publication, Stealing the Language has been groundbreaking for feminist literary criticism as well as for the feminist poetry movement.Google Scholar shows that it is cited in at least 355 scholarly works with varied subjects ranging from studies of individual women poets like Anne Sexton and Adrienne Rich to books on feminist literary criticism and the gendered nature of ...
The poem was adopted by the greeting-card industry, led by graphic designer and calligrapher Elizabeth Lucas. Joseph ascribed the popularity of the poem to Lucas. "To her business acumen and energy I owe a hospitable following in California and later throughout northern America, more social, as I said, than literary.