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Figures of speech include alliteration, anaphora, paradox, and personification. The poem personifies Death as a gentleman caller who takes a leisurely carriage ride with the poet to her grave. She also personifies immortality. [2] [better source needed] A volta, or turn, occurs in the fourth stanza. Structurally, the syllables shift from its ...
Hyperbole (/ haɪˈpɜːrbəli / ⓘ; adj. hyperbolic / ˌhaɪpərˈbɒlɪk / ⓘ) is the use of exaggeration as a rhetorical device or figure of speech. In rhetoric, it is also sometimes known as auxesis (literally 'growth'). In poetry and oratory, it emphasizes, evokes strong feelings, and creates strong impressions. As a figure of speech, it ...
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). [1][2] In the distinction between literal and figurative language, figures of speech constitute the latter.
Richard Lovelace by William Dobson. " To Althea, from Prison " is a poem written by Richard Lovelace in 1642. The poem is one of Lovelace's best-known works, and its final stanza's first line "Stone walls do not a prison make, Nor iron bars a cage" is often quoted. Lovelace wrote the poem while imprisoned in Gatehouse Prison adjoining ...
Repetition is the simple repeating of a word, within a short space of words (including in a poem), with no particular placement of the words to secure emphasis.It is a multilinguistic written or spoken device, frequently used in English and several other languages, such as Hindi and Chinese, and so rarely termed a figure of speech.
v. t. e. Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic [ 1 ][ 2 ][ 3 ] qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet.
MacLeish uses a myriad of poetic devices and figures of speech to help identify what a poem is, and moreover what it should be. In lines 1-8, MacLeish uses similes (comparing a poem via like or as to globed fruit, medallions, etc) to construct his idea of an ideal poem. But similes are not the only figures of speech used.
In rhetoric, an anaphora (Greek: ἀναφορά, "carrying back") is a rhetorical device that consists of repeating a sequence of words at the beginnings of neighboring clauses, thereby lending them emphasis. [2] In contrast, an epistrophe (or epiphora) is repeating words at the clauses' ends. The combination of anaphora and epistrophe results ...