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A predominant format of Chinese painting is the handscroll, a continuous roll of paper or silk of varying length on which an image has been painted, and which, when not being viewed, remains rolled up. Ceremony and anticipation underlie the experience of looking at a handscroll.
Scroll painting, art form practiced primarily in East Asia. The two dominant types may be illustrated by the Chinese landscape scroll, which is that culture’s greatest contribution to the history of painting, and the Japanese narrative scroll, which developed the storytelling potential of painting.
Along the River During the Qingming Festival (simplified Chinese: 清明上河图; traditional Chinese: 清明上河圖; pinyin: Qingming Shanghe Tu) is a handscroll painting by the Song dynasty painter Zhang Zeduan (1085–1145) and copied or recreated many times in the following centuries.
Looking at the poetry, painting, and calligraphy on a scroll is like reading a chapter in a book. A Chinese hand scroll is “read” from right to left, the same way classical Chinese writing is read.
Handscroll paintings, painted horizontally on pieces of silk or sheets of paper and mounted as scrolls, are a major type of traditional East Asian painting, distinctive in their format and method of viewing.
A hanging scroll is one of the many traditional ways to display and exhibit East Asian painting and calligraphy. They are different from handscrolls, which are narrower and designed to be viewed flat on a table.
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