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Meanwhile, Bill and Carol have fallen in love and are planning to marry. When Gloria gloats over Thornton's setbacks, he reveals that a major movie studio is interested in reviving his film career. Months later, Bill and Carol attend Thornton's premiere in Sitting Pretty - a real film that starred Clifton Webb.
Perfect Strangers, also released as Too Dangerous to Love in some territories, is a 1950 American comedy-drama film directed by Bretaigne Windust. [ 1 ] [ 2 ] Edith Sommer wrote the screenplay from an adaptation written by George Oppenheimer , based on the 1939 play Ladies and Gentlemen by Charles MacArthur and Ben Hecht . [ 3 ]
The film made $2 million. [4]The film was "an unlikely hit of 1971" [5] and was described as follows, "Atrociously acted, sluggishly paced, with audio, camerawork and production values that would have disgraced a syndicated television show".
Don't Bet on Love is a 1933 American comedy film directed by Murray Roth and written by Howard Emmett Rogers, Murray Roth and Ben Ryan. The film stars Lew Ayres, Ginger Rogers, Charley Grapewin, Shirley Grey, Tom Dugan and Merna Kennedy. The film was released on July 1, 1933, by Universal Pictures. [1] [2] [3]
We're Not Married! is a 1952 American anthology romantic comedy film directed by Edmund Goulding. [2] It was released by 20th Century Fox. [3]The screenplay was written by Nunnally Johnson, while the story was adapted by Dwight Taylor from Gina Kaus's and Jay Dratler's unpublished work "If I Could Remarry".
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"Never Gonna Dance" is a song performed by Fred Astaire and danced with Ginger Rogers in their movie Swing Time. The lyrics were written by Dorothy Fields and the music was by Jerome Kern . This dramatic dance was performed at the end of the movie after John 'Lucky' Garnett (Astaire) finds out Penelope 'Penny' Carroll (Rogers) is engaged to ...
Being Ginger is a 2013 documentary/romantic comedy film directed, produced, and starring Scott P. Harris. It starts off as the filmmaker, an American redhead living in Scotland, goes on a quest to try to find a mythical woman who specifically likes ginger men. Over the course of the film it becomes more about the long-term impact of schoolyard ...
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