Search results
Results from the WOW.Com Content Network
The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. [1]
Exit: An Illusion was written in 1929, towards the end of the Harlem Renaissance. Exit follows in the footsteps of the themes in the movement, which included challenging the pervading racism and stereotypes of the time in order to promote progressive or socialist political views, and racial and social integration. [6]
The Harlem Renaissance from 1920 to 1940 brought worldwide attention to African American literature. For many years, especially in the 1920s, Harlem was home to a flourishing of social thought and culture that took place among numerous Black artists, musicians, novelists, poets, and playwrights.
Starting around the time of the end of World War I, Harlem became associated with the New Negro movement, and then the artistic outpouring known as the Harlem Renaissance, which extended to poetry, novels, theater, and the visual arts. The growing population also supported a rich fabric of organizations and activities in the 1920s.
Historically, the term is present in African American discourses since 1895, but is most recognized as a central term of the Harlem Renaissance [2] (1917-1928). The term has a broad relevance to the period in U.S. history known as the Post-Reconstruction, whose beginnings were marked symbolically by the notorious compromise of 1877 and whose impact upon black American lives culminated in the ...
Bontemps also wrote 100 Years of Negro Freedom (1961) and edited Great Slave Narratives (1969) and The Harlem Renaissance Remembered (1972). In addition he was also able to edit American Negro Poetry (1963), which was a popular anthology.
It became known as Harlem Week, and would go on to draw back those who had departed. 50 years on, Harlem Week shows how a New York City neighborhood went from crisis to renaissance Skip to main ...
Charlotte Osgood Mason, born Charlotte Louise Van der Veer Quick (May 18, 1854, Franklin Park, New Jersey – April 15, 1946, New York City), [1] was a white American socialite and philanthropist. She contributed more than $100,000 to a number of African-American artists and writers of the Harlem Renaissance , equal to more than $1 million in 2003.