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The Japanese dry garden (枯山水, karesansui) or Japanese rock garden, often called a Zen garden, is a distinctive style of Japanese garden. It creates a miniature stylized landscape through carefully composed arrangements of rocks, water features, moss, pruned trees and bushes, and uses gravel or sand that is raked to represent ripples in ...
The term Zen garden appears in English writing in the 1930s for the first time, in Japan zen teien, or zenteki teien comes up even later, from the 1950s. It applies to a Song China-inspired composition technique derived from ink-painting. The composition or construction of such small, scenic gardens have no relation to religious Zen.
A formal garden in the Persian and European garden design traditions is rectilinear and axial in design. The equally formal garden, without axial symmetry (asymmetrical) or other geometries, is the garden design tradition of Chinese and Japanese gardens. The Zen garden of rocks, moss and raked gravel is an example. The Western model is an ...
Trees, soil, and rocks form a miniature living landscape. Saikei (栽景) literally translates as "planted landscape". [1] [2]: 228 Saikei is a descendant of the Japanese arts of bonsai, bonseki, and bonkei, and is related less directly to similar miniature-landscape arts like the Chinese penjing and the Vietnamese hòn non bộ.
Japanese garden at Erholungspark Marzahn, Berlin (2003). Shunmyō Masuno (枡野 俊明, Masuno Shunmyō) (born 28 February 1953) [1] is a Japanese monk and garden designer. He is chief priest of the Sōtō Zen temple Kenkō-ji (建功寺), professor at Tama Art University, and president of a design firm that has completed numerous projects in Japan and overseas.
Just as Japanese Zen gardens, Persian paradise gardens, and the English and French Renaissance gardens were analogies for the universe, the design represents the cosmic and cultural evolution of the contemporary world. The garden is a microcosm – as one walks through the gardens they experience the universe in miniature.
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