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  2. Semitone - Wikipedia

    en.wikipedia.org/wiki/Semitone

    It is defined as the interval between two adjacent notes in a 12-tone scale (or half of a whole step), visually seen on a keyboard as the distance between two keys that are adjacent to each other. For example, C is adjacent to C ♯ ; the interval between them is a semitone.

  3. Wicki–Hayden note layout - Wikipedia

    en.wikipedia.org/wiki/Wicki–Hayden_note_layout

    The intervals between neighboring white keys are irregular: sometimes a whole step (C–D) and at others a half step (E–F). The combination of white and black keys and the pitch-to-key distance and vector is irregular. New players must watch the keyboard, instead of reading the score.

  4. Mode (music) - Wikipedia

    en.wikipedia.org/wiki/Mode_(music)

    For the sake of simplicity, the examples shown above are formed by natural notes (also called "white notes", as they can be played using the white keys of a piano keyboard). However, any transposition of each of these scales is a valid example of the corresponding mode.

  5. Aeolian mode - Wikipedia

    en.wikipedia.org/wiki/Aeolian_mode

    On the piano, using only the white keys, it is the scale that starts with A and continues to the next A only striking white keys. Its ascending interval form consists of a key note, whole step, half step, whole step, whole step, half step, whole step, whole step.

  6. Scale (music) - Wikipedia

    en.wikipedia.org/wiki/Scale_(music)

    A measure of the width of each scale step provides a method to classify scales. For instance, in a chromatic scale each scale step represents a semitone interval, while a major scale is defined by the interval pattern W–W–H–W–W–W–H, where W stands for whole step (an interval spanning two semitones, e.g. from C to D), and H stands ...

  7. Diatonic scale - Wikipedia

    en.wikipedia.org/wiki/Diatonic_scale

    In music theory a diatonic scale is a heptatonic (seven-note) scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps. In other words, the half steps are maximally separated from each other.

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