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The Virgin of the Lilies (French: La Vierge au lys), also known as The Madonna of the Lilies, is an 1899 oil painting by the French artist William-Adolphe Bouguereau, now owned by a private owner. [1] Its dimensions are 27 × 18.5 cm. [2]
The clock is crowned with a bouquet of Madonna lilies, carved from onyx. The pistils of the flowers are set with three small rose diamonds, and the leaves and stems are of tinted gold. The egg uses the language of flowers which was well known at the time. The roses were symbols of love and the lilies were a symbol of purity and innocence.
Fleur-de-lis is the stylized depiction of the lily flower. The name itself derives from ancient Greek λείριον > Latin lilium > French lis.. The lily has always been the symbol of fertility and purity, and in Christianity it symbolizes the Immaculate Conception.
The lotus flower or water lily, for example, Iris sibirica, delphinium, narcissus, palm tree, papyrus and rose. [ 1 ] was considered sacred to Isis and was often included in arrangements. Many other flowers have been found in the tombs of the ancient Egyptians, and garlands of flowers were worn by loved ones and left at the tombs. [ 2 ]
The version made in 1923 is an oil painting of a red canna lily against a yellow background. The Lily nearly fills the 12 in × 10 in (30 cm × 25 cm) canvas. It is owned by the Pennsylvania Academy of the Fine Arts in Philadelphia , Pennsylvania .
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Strand was particularly influential in her development of cropped, close-up images. She received unprecedented acceptance as a female artist from the fine art world due to her powerful graphic images. [6] Depictions of small flowers that fill the canvas suggest the immensity of nature and encourage viewers to looks at flowers differently. [2]
Illustration from Floral Poetry and the Language of Flowers (1877). According to Jayne Alcock, grounds and gardens supervisor at the Walled Gardens of Cannington, the renewed Victorian era interest in the language of flowers finds its roots in Ottoman Turkey, specifically the court in Constantinople [1] and an obsession it held with tulips during the first half of the 18th century.