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The Eyes of the Dragon is a fantasy novel by American writer Stephen King, first published as a limited edition slipcased hardcover by Philtrum Press in 1984, illustrated by Kenneth R. Linkhauser. The novel would later be published for the mass market by Viking in 1987, with illustrations by David Palladini .
Fight to Win (also known as Eyes of the Dragon and Dangerous Passages [1]) is a 1987 martial arts comedy film directed by Leo Fong and starring Cynthia Rothrock, George Chung, Richard Norton and Chuck Jeffreys. In the film, martial artist Ryan Kim has an upcoming fight and gets training from a martial arts master, Sensei Lauren.
Syfy announced development of the Stephen King novel The Eyes of the Dragon as a movie or miniseries, [7] [8] where Michael Taylor and Jeff Vintar were reported as scriptwriters. [9] At latest report (May 2019), Hulu was reported to be adapting the book as a television series, with no mention of use of the earlier Vintar script. [10]
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Randall Flagg is a fictional character created by American author Stephen King, who has appeared in at least nine of his novels.Described as "an accomplished sorcerer and a devoted servant of the Outer Dark", [1] he has supernatural abilities involving necromancy, prophecy, and influence over animal and human behavior.
The book was released in 1985 after the publication of the first hardcover Bachman novel Thinner in order to introduce Bachman to fans who did not know about King's work under this pseudonym (little of which was still in circulation at the time).
The female Aes Sedai guided humanity out of this dark time, living in the shadow of a prophecy that the Dark One would break free from his prison and the Dragon would be reborn to fight him once more. And though the Dragon Reborn is humanity's only hope against the Dark One, he would break the world a second time in the process. [2] [4] [26]
A review by The Washington Post says The Girl Who Takes an Eye for an Eye "intensifies the mythic elements of Larsson's vision" and is entertaining. [3] However, The Guardian says that "There is a sluggishness to the plotting and much of the tension relies on orchestrated interruptions and delays, which irritate". [2]