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[10] [11] [9] The Hagia Sophia held the title of largest church in the world until the Ottoman Empire sieged the Byzantine capital. After the fall of Constantinople, the church was used by the Muslims for their religious services until 1931, when it was reopened as a museum in 1935. Translated from Greek, the name Hagia Sophia means "Holy ...
The dome and semi-domes of the Hagia Sophia, in particular, were replicated and refined. A "universal mosque design" based upon this development spread throughout the world. [250] The first Ottoman mosque to use a dome and semi-dome nave vaulting scheme like that of Hagia Sophia was the mosque of Beyazit II.
Its design demonstrated an increasing influence of the ancient Hagia Sophia on Ottoman architects while also setting a precedent for vast külliye complexes with a highly organized site plan. [10] The Mosque of Bayezid II , completed in 1505 in the same city, is often considered the culmination of architectural developments of the 15th century ...
[230] [231] The main dome of the Hagia Sophia was the largest pendentive dome in the world until the completion of St Peter's Basilica, and it has a much lower height than any other dome of such a large diameter. The great dome at the Hagia Sophia is 32.6 meters (one hundred and seven feet) in diameter and is only 0.61 meters (two feet) thick.
In particular, the building replicates the central dome layout of the Hagia Sophia and this may be interpreted as a desire by Suleiman to emulate the structure of the Hagia Sophia, demonstrating how this ancient monument continued to hold tremendous symbolic power in Ottoman culture. [94]
Its architecture is primarily known through a Syriac hymn in twenty-two strophes that describes the proportions and plans of the building quite precisely. [1] [3] [8] It is relatively similar to its contemporary "twin", the Hagia Sophia in Constantinople, [1] although it differs in some aspects, such as its decorations, which are predominantly made of marble.
The early Byzantine architecture followed the classical Roman model of domes and arches, but further improved these architectural concepts, as evidenced with the Hagia Sophia, which was designed by Isidorus and Anthemius as the third church to rise on this location, between 532 and 537, following the Nika riots (532) during which the second ...
In particular, the building replicates the central dome layout of the Hagia Sophia and this may be interpreted as a desire by Suleiman to emulate the structure of the Hagia Sophia, demonstrating how this ancient monument continued to hold tremendous symbolic power in Ottoman culture. [84]