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In the United States, only four presidents, from John Adams (1735–1826) to James Monroe (1758–1831), wore curly powdered wigs tied in a queue according to the old-fashioned style of the 18th century, [21] [22] though Thomas Jefferson (1743–1826) wore a powdered wig only rarely and stopped wearing a wig entirely shortly after becoming ...
In the early 1800s, women wore thin gauzy outer dresses while men adopted trousers and overcoats. Rutger Jan Schimmelpenninck and his family, 1801–02, by Pierre-Paul Prud'hon Madame Raymond de Verninac by Jacques-Louis David, with clothes and chair in Directoire style.
[2] [4] Although initially a men's style, it was soon adopted by women as well. The Journal de Paris reported in 1802 that "more than half of elegant women were wearing their hair or wig à la Titus." [1] The style spread to England as well, where it was often called coiffure à la guillotine in reference to the beheadings of the French Revolution.
Wigs were worn by middle and upperclass men, or the hair was worn long, brushed back from the forehead and "clubbed" (tied back at the nape of the neck) with a black ribbon. Wigs were generally now short, but long wigs continued to be popular with the older generation. Hair was powdered for formal, evening occasions.
The Welsh Wig was prized by workers for its excellent protection against the elements, providing a shield against the wind on the back of the neck. As the fashion for traditional wigs declined, there was now a market for more practical knitted headwear and Welsh wigs soon developed a reputation as a hardy and utilitarian product.
Fashion in the twenty years between 1775 and 1795 in Western culture became simpler and less elaborate. These changes were a result of emerging modern ideals of selfhood, [1] the declining fashionability of highly elaborate Rococo styles, and the widespread embrace of the rationalistic or "classical" ideals of Enlightenment philosophes. [2]
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