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Technicolor IB printing ("IB" abbreviates "imbibition", a dye-transfer operation): a process for making color motion picture prints that allows the use of dyes that are more stable and permanent than those formed in ordinary chromogenic color printing. Originally used for printing from color-separation negatives photographed on black-and-white ...
Dye transfer is a continuous-tone color photographic printing process. It was used to print Technicolor films, as well as to produce paper colour prints used in advertising, or large transparencies for display.
Technicolor also dye-transfer printed Eastmancolor and Ansco negative movies where the negative had been processed by another laboratory with the credit Print by Technicolor. Technicolor publicity dated 1954 added the facility to produce dye transfer release prints from Agfacolor , Gevacolor and Ferraniacolor color negative stock, popular in ...
The Technicolor Color Certified Program will award screens that meet its requirements with a seal -- or logo, as it were -- of approval. What are the qualifications, you ask? Technicolor's spec is ...
Incredibly, DeLuxe once had a license to install a Technicolor-type dye-transfer printing line, but as the "loss of register" problems became apparent in Fox's CinemaScope features that were printed by Technicolor, after Fox had become an all-CinemaScope producer, Fox-owned DeLuxe Labs abandoned its plans for dye-transfer printing and became ...
This is a list of color film processes known to have been created for photographing and exhibiting motion pictures in color since the first attempts were made in the late 1890s. It is limited to "natural color" processes, meaning processes in which the color is photographically recorded and reproduced rather than artificially added by hand ...
The Viking was the first feature film to use Technicolor's dye-transfer process because of the technical limitation of the previous process with printing sound, which used two prints cemented base-to-base. [5] The film was considered the finest use of color cinematography at the time of release.
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...