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Cascadia Code [2] is a purpose-built monospaced TrueType font for Windows Terminal.It includes programming ligatures and was designed to enhance the look and feel of Windows Terminal, terminal applications and text editors such as Visual Studio and Visual Studio Code. [3]
This text is drawn using Roman Complex (top) and Roman Simplex (bottom) fonts of the collection. The Hershey fonts are a collection of vector fonts developed c. 1967 by Dr. Allen Vincent Hershey at the Naval Weapons Laboratory, [1] [2] [3] originally designed to be rendered using vectors on early cathode ray tube displays.
The original Cricut machine has cutting mats of 150 mm × 300 mm (6 in × 12 in), the larger Cricut Explore allows mats of 300 mm × 300 mm, and 300 mm × 610 mm (12 in × 12 in, and 12 in × 24 in). The largest machine will produce letters from a 13 to 597 mm (0.5 to 23.5 in) high.
Albertus is a glyphic serif display typeface designed by Berthold Wolpe in the period 1932 to 1940 for the British branch of the printing company Monotype.Wolpe named the font after Albertus Magnus, the thirteenth-century German philosopher and theologian.
Cambria is a transitional serif typeface commissioned by Microsoft and distributed with Windows and Office.It was designed by Dutch typeface designer Jelle Bosma in 2004, with input from Steve Matteson and Robin Nicholas.
Athelas is a serif typeface designed by Veronika Burian and Jose Scaglione and intended for use in body text. [1] Released by their company TypeTogether in 2008, Burian and Scaglione described Athelas as inspired by British fine book printing.
Costello created the font in 1982, when he was 23 years old and just out of college. He had been studying the Bible and came onto the idea of what a written font would have looked like in biblical times in the Middle East. [1]
Akzidenz-Grotesk is a sans-serif typeface family originally released by the Berthold Type Foundry of Berlin. "Akzidenz" indicates its intended use as a typeface for commercial print runs such as publicity, tickets and forms, as opposed to fine printing, and "grotesque" was a standard name for sans-serif typefaces at the time.