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Nalinthip Sakulongumpai (Thai: นลินทิพย์ สกุลอ่องอำไพ; born 12 August 1990 in Bangkok, Thailand), also known as Bua Nalinthip (Thai: บัว นลินทิพย์) is a Thai actress and model. She debuted in 2006.
Sunset at Chaophraya (Thai: คู่กรรม, Khu Kam) in 2013 romantic-war-drama film directed by Kittikorn Liasirikun.Adapted from the novel Khu Kam by Thommayanti, the story is a love triangle, set in World War II-era Thailand, and depicts the star-crossed romance between an Imperial Japanese Navy officer and a Thai woman who is involved with the Free Thai resistance.
The House of No Man (Vietnamese: Nhà bà nữ) is a 2023 Vietnamese comedy-drama film directed and co-produced by Trấn Thành.The film stars Lê Giang, Uyển Ân, Song Luân, Trấn Thành, Khả Như, Quỳnh Lý, Phương Lan, Dương Lâm, Ngọc Giàu, and Việt Anh.
Nang Nak (Thai: นางนาก) is a 1999 Thai supernatural horror film based on the Thai legend of Mae Nak Phra Khanong. It was directed by Nonzee Nimibutr and released in 1999 by Buddy Film and Video Production Co. in Thailand. It depicts the life of a devoted ghost wife and her unsuspecting husband.
Mai (stylized as: MɅI) is a 2024 Vietnamese romantic drama film directed by Tran Thanh. [4] By March 1, 2024, after 20 days of release, the film officially grossed over 500 billion VND, becoming the highest-grossing film in Vietnamese box office history. [5]
A soundtrack album, Original Motion Picture Soundtrack: Buppah Rahtree, was released to accompany the film.It features a mix of Thai hip hop and pop music.Most of the tracks feature members of Joey Boy's rap collective Gancore Club, the heavyset duo BZ and Fukking Hero, who were also featured in the film as residents of a neighboring apartment to Rahtree's.
The Medium (Thai: ร่างทรง Rang Song, literally: Mediumship) is a 2021 Isan-language mockumentary supernatural folk horror film [2] co-written and produced by Na Hong-jin and directed by Banjong Pisanthanakun. It is a co-production of Thailand's GDH 559 and South Korea's Showbox. [3]
The writers revised the screenplay to include themes on contemporary Thai family dynamics, [14] specifically related to western and Asian attitudes regarding extended and nuclear families. [12] Benediktus Yogatama of Kompas argued the film also contained several themes related to financial planning and personal budgeting . [ 15 ]