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Batik is a dyeing technique using wax resist. The term is also used to describe patterned textiles created with that technique. Batik is made by drawing or stamping wax on a cloth to prevent colour absorption during the dyeing process. This creates a patterned negative when the wax is removed from the dyed cloth.
Inland batik, batik pedalaman or batik kraton (Javanese court batik) is the oldest batik tradition in Java. Inland batik has an earth colour [ 20 ] such as black, indigo, brown, and sogan (a yellow from the tree Peltophorum pterocarpum ), sometimes against a white background, with symbolic patterns that are mostly free from outside influence.
Malaysian batik are usually patterned with floral motifs with light colouring. Malaysian batik is batik textile art in Malaysia, especially on the east coast of Peninsular Malaysia (42% from Kelantan, 36% from Terengganu and 22% from Pahang). The most popular motifs are leaves and flowers. Malaysian batik depicting humans or animals are rare ...
Kawung batik (Indonesian: Batik Kawung) is an Indonesian batik motif [1] whose shape is in the form of a circle similar to a kawung fruit (a type of coconut or sometimes also considered as sugar palm or palm fruit) which is neatly arranged geometrically. Sometimes, this motif is also interpreted as an image of a lotus flower with four flower ...
Sarkasi Said. Sarkasi bin Said (27 March 1940–14 October 2021), best known as Sarkasi Said and also known by the artist name Tzee, was a contemporary Singaporean batik artist known for abstract batik paintings and his use of unconventional wax-resist techniques. [1] Sarkasi experimented with batik techniques since young, later travelling ...
Tujuh rupa (batik) Tujuh rupa batik (Indonesian: Batik tujuh rupa) is one of the Indonesian batik motifs originating from Pekalongan, Central Java. This tujuh rupa batik motif is very thick with natural nuances. In general, tujuh rupa batik displays animal or plant motifs. The motifs are taken from various mixtures of local culture and Chinese ...
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