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Each table is arranged alphabetically by the specific work, then by the language of the translation. Translations are then sub-arranged by date of publication (earliest-latest). Where possible, the date of publication given is the date of the first edition by that translator. More modern editions/versions may be available.
[13] With the addition of music for Lady Macbeth, Macbeth's aria in Act 3 was completely re-written—as was a considerable amount of the rest of Act 3; a ballet was added in Act 3; a newly composed chorus to an old text began Act 4; and the ending of Act 4 was also changed, Verdi, being determined to drop Macbeth's final aria Mal per me che m ...
Under their referencing system, 3.1.55 means act 3, scene 1, line 55. [44] All references to Macbeth, unless otherwise specified, are taken from the Arden Shakespeare second series. Under their referencing system, III.I.55 means act 3, scene 1, line 55. [45
"Tomorrow and tomorrow and tomorrow" is the beginning of the second sentence of one of the most famous soliloquies in William Shakespeare's tragedy Macbeth. It takes place in the beginning of the fifth scene of Act 5, during the time when the Scottish troops, led by Malcolm and Macduff , are approaching Macbeth 's castle to besiege it.
The Tragedy of Troilus and Cressida, often shortened to Troilus and Cressida (/ ˈ t r ɔɪ l ʌ s ... ˈ k r ɛ s ɪ d ə / or / ˈ t r oʊ. ɪ l ʌ s /) [1] [2]), is a play by William Shakespeare, probably written in 1602.
The Changeling is a Jacobean tragedy written by Thomas Middleton and William Rowley.Widely regarded as being among the best tragedies of the English Renaissance, the play has accumulated a large amount of critical commentary.
A few possible sources have been suggested for both of two passages in Shakespeare's works: a scene in the play Pericles, and the third quatrain in Sonnet 73. In the scene in Pericles an emblem or impresa borne on a shield is described as bearing the image of a burning torch held upside down along with the Latin phrase Qui me alit, me extinguit ...
Another notable stylistic technique is that the soliloquies of York in Act 1, Scene 1 and Act 3, Scene 1, as well as those of Eleanor and Hum in Act 1, Scene 2, and York's asides in Act 1, Scene 1 and Act 3, Scene 1 are all delivered direct to camera, as is the Dick the Butcher's comments in Act 4, Scene 2, as Cade delivers his speech to the ...