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  2. Jikustik - Wikipedia

    en.wikipedia.org/wiki/Jikustik

    Jikustik is a pop rock band formed in Yogyakarta, Indonesia in 1996. The group comprises Bassit and Vocal Icha, guitarist Dadi, keyboardist Adhit and drummer Carlo. Jikustik are known for their hit singles, such as "Seribu Tahun Lamanya", "Malam",

  3. Billboard Indonesia Top 100 - Wikipedia

    en.wikipedia.org/wiki/Billboard_Indonesia_Top_100

    The Billboard Indonesia Top 100 was the standard record chart in Indonesia for Indonesian language and/or English-Indonesian language songs, compiled independently in collaboration with ASIRI, with Andhika Septian as the head of this project who also developed its data scoring methodology, published weekly by Billboard Indonesia.

  4. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    IV-V-I-vi chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV ...

  5. Indonesia Raya - Wikipedia

    en.wikipedia.org/wiki/Indonesia_Raya

    "Jos" Cleber was an experienced arranger not only of western songs but also for Indonesian pop songs such as Di Bawah Sinar Bulan Purnama and Rangkaian Melati. Indonesia Raya was recorded under Cleber's direction on a newly acquired Phillips recorder in early 1951 with musicians from all three radio orchestras of RRI Jakarta and the tape was ...

  6. The 150 Greatest Indonesian Albums of All Time - Wikipedia

    en.wikipedia.org/wiki/The_150_Greatest...

    Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Help; Learn to edit; Community portal; Recent changes; Upload file

  7. List of Hot 100 number-one singles of 2008 (Japan) - Wikipedia

    en.wikipedia.org/wiki/List_of_Hot_100_number-one...

    This is a list of number ones on the Billboard Japan Hot 100 chart in 2008. Issue date Song Artist January 21 "Stay Gold" Hikaru Utada: January 28 "Be Free" Greeeen:

  8. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...

  9. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in