Search results
Results from the WOW.Com Content Network
A few tap the signal after the fader and before the mix buses. Some consoles, especially digital consoles, offer a choice between possible insert points. [2] Digital consoles are often designed to allow the user to move the insert point to before or after the channel EQ and some allow the insert point to be placed after the fader and before the ...
Reverberation (commonly shortened to reverb), in acoustics, is a persistence of sound after it is produced. [1] Reverberation is created when a sound or signal is reflected. This causes numerous reflections to build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and ...
A reverb effect, or reverb, is an audio effect applied to a sound signal to simulate reverberation. [1] It may be created through physical means, such as echo chambers , or electronically through audio signal processing .
An improved version of the single-channel amp was released in 1980 which included reverb, an additional stage of gain, and optional foot switchable gain boost. These guitar amps were the first to employ a matched quartet of Sylvania 6V6GT output tubes. The amps were offered with hardwood cabinets, or in a variety of vinyl-covered birch plywood ...
If the original recording of a song with electric guitar is done in 1985, and the electric guitarist's sound was only recorded with a mic in front of their combo amp or speaker cabinet, the recording will lock in the specific type of distortion, reverb, flanger processing and other effects that were used, which might sound "dated" several ...
The Fender Bandmaster Reverb amp, for example, had built-in reverb and vibrato. Built-in effects may offer the user less control than standalone pedals or rackmounted units. For example, on some lower- to mid-priced bass amplifiers , the only control on the audio compression effect is a button or switch to turn it on or off, or a single knob.
This resulted in the Bandmaster Reverb having reduced power over the standard model and increased sag and power amp break up. The revised circuit also places the gain stage within the reverb recovery circuit which causes the amp to break up earlier. These series amps offer the designations AA768, AA568, AA1069 and TFL5005.
The Deluxe Reverb II was introduced that same year. Output on the amp was diminished to 20 watts and a solid-state rectifier was used. The tremolo circuit was removed. Gain, master volume, and presence controls were added. And the two channels were made switchable as opposed to the individual inputs on the Deluxe Reverb.