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Fairy was used to represent: an illusion or enchantment; the land of the Faes; collectively the inhabitants thereof; an individual such as a fairy knight. [1] Faie became Modern English fay, while faierie became fairy, but this spelling almost exclusively refers to one individual (the same meaning as fay).
The Rose, [22] The Knight, [23] and The Faery Host [24] are paintings by Stephanie Pui-Mun Law depicting various parts of the Tam Lin legend. The Choose Your Own Adventure book Enchanted Kingdom has an ending in which the reader/player's character is rescued from the fairies by a girl whom the character has befriended, who has to hold onto the ...
The Fairy Knight, or Oberon the Second is an early Stuart era stage play, a comedy of uncertain and problematic authorship. Never published in its historical period, the play existed only in a manuscript, which is now MS. V.a.128 in the collection of the Folger Shakespeare Library in Washington, D.C.
Modern English (by the 17th century) fairy transferred the name of the realm of the fays to its inhabitants, [2] e.g., the expression fairie knight in Edmund Spenser's The Faerie Queene refers to a "supernatural knight" or a "knight of Faerie" but was later re-interpreted as referring to a knight who is "a fairy". [3]
Oberon is a main character in Michael Drayton's narrative poem Nimphidia (1627) about the fairy Pigwiggin's love for Queen Mab and the jealousy of King Oberon. In the anonymous book Robin Goodfellow, His Mad Pranks and Merry Jests (1628) Oberon is known as "Obreon" and is the father of the half-fairy Robin Goodfellow by a human woman.
As either actually fairy or fairy-like yet human enchantresses, they play important roles in various stories, notably by providing Arthur with the sword Excalibur, eliminating the wizard Merlin, raising the knight Lancelot after the death of his father, and helping to take the dying Arthur to Avalon after his final battle.
The poem is about a fairy who condemns a knight to an unpleasant fate after she seduces him with her eyes and singing. The fairy inspired several artists to paint images that became early examples of 19th-century femme fatale iconography. [3] The poem continues to be referred to in many works of literature, music, art, and film.
The Faerie Queene is an English epic poem by Edmund Spenser.Books I–III were first published in 1590, then republished in 1596 together with books IV–VI. The Faerie Queene is notable for its form: at over 36,000 lines and over 4,000 stanzas, [1] it is one of the longest poems in the English language; it is also the work in which Spenser invented the verse form known as the Spenserian ...