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The kovai, in particular, came to dominate secular and religious akam poetry in the mediaeval period. The very last example of akam poetry, written before the tradition was suppressed by seventeenth century religious revivalism, is a 600-verse kōvai, composed by Kachchaiyappar Sivachariyar and embedded into his Tanikaippuranam. [10]
Some putatively pre-Islamic poems were redacted in the Islamic period to exhibit stylistic features and Quranic echoes, an example being one poem of the female poet al-Khansa'. [ 69 ] 86% of the lines of the Quran are involved in rhyme, but these lines do not have any regular meter .
Poetry in Arabic is traditionally grouped in a diwan or collection of poems. These can be arranged by poet, tribe, topic or the name of the compiler such as the Asma'iyyat of al-Asma'i. Most poems did not have titles and they were usually named from their first lines. Sometimes they were arranged alphabetically by their rhymes.
Some of these movements (such as Dada and Beat) were defined by the members themselves, while other terms (for example, the metaphysical poets) emerged decades or centuries after the periods in question. Further, some movements are well defined and distinct, while others, like expressionism, are nebulous and overlap with other definitions.
The poems of 'Alqama ibn 'Abada and Al-Nabigha are from the same period. In Al-Nabigha's poem sometimes reckoned as a Muʻallaqah, he addresses himself to the king of al-Hirah, al-Nu'man III ibn al-Mundhir, who reigned in the two last decades of the sixth century. The same king is mentioned as a contemporary in one of poems of ʻAlqama.
Ezra Pound formulated and promoted many precepts and ideas of Imagism. His "In a Station of the Metro" (Roberts & Jacobs, 717), written in 1916, is often used as an example of Imagist poetry: The apparition of these faces in the crowd; Petals on a wet, black bough.
A periodic sentence is a sentence with a stylistic device featuring syntactical subordination to a single main idea, which usually is not complete until the very end of the sentence. [1] The periodic sentence emphasizes its main idea by placing it at the end, following all the subordinate clauses and other modifiers that support the principal ...
The Istanbul tablet#2461, dating to c. 2000 BCE, describes an annual rite in which the king symbolically married and mated with the goddess Inanna to ensure fertility and prosperity; some have labelled it the world's oldest love poem. [10] [11] An example of Egyptian epic poetry is The Story of Sinuhe (c. 1800 BCE). [12]