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Ways of Seeing is a 1972 television series of 30-minute films created chiefly by writer John Berger [1] and producer Mike Dibb. [ 2 ] [ 3 ] It was broadcast on BBC Two in January 1972 and adapted into a book of the same name.
Neues Sehen considered photography to be an autonomous artistic practice with its own laws of composition and lighting, through which the lens of the camera becomes a second eye for looking at the world. This way of seeing was based on the use of unexpected framings, the search for contrast in form and light, the use of high and low camera ...
This shot is when the camera is level or looking straight on with the subject. Low point of view camera angle employing a forced perspective technique. A point-of-view (POV) shot shows the viewer the image through the subject's eye. Some POV shots use hand-held cameras to create the illusion that the viewer is seeing through the subject's eyes.
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Impressions of several natural phenomena and the principles of some optical toys have been attributed to persistence of vision. In 1768, Patrick D'Arcy recognised the effect in "the luminous ring that we see by turning a torch quickly, the fire wheels in the fireworks, the flattened spindle shape we see in a vibrating cord, the continuous circle we see in a cogwheel that turns with speed". [8]
The camera is positioned at the side of a subjective player—whose viewpoint is being depicted—so that the audience is given the impression they are standing cheek-to-cheek with the off-screen player. The viewer does not see the event through the player's eyes, as in a subjective shot in which the camera trades places with the screen player.
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When the human eye scans a photograph for the first time it will expect to see a bit in front of the subject. [3] For example, moving objects such as cars require lead room. [4] If extra space is allowed in front of a moving car, the viewer can see that it has someplace to go; without this visual padding, the car's progress will seem impeded. [4]