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Émile Vacher (May 7, 1883 - April 8, 1969) was a French accordionist associated with, and often deemed the creator of, the bal-musette genre. [ 1 ] Discography 78s
Bal-musette is a style of French instrumental music and dance that first became popular in Paris in the 1880s. Although it began with bagpipes as the main instrument, this instrument was eventually replaced by the accordion , on which a variety of waltzes, polkas, and other dance styles were played.
Bal-musette: a style of French instrumental music and dance that first became popular in Paris in the 1880s. Although it began with bagpipes as the main instrument, this instrument was replaced with accordion, on which a variety of waltzes, polkas, and other dance styles were played for dances. Cabaret by Rodolphe Salis in 1881 in Paris.
The influence of Antoine Bouscatel led to bal-musette incorporating the Italian accordion, which soon came to dominate the music. This is the period that produced internationally known masters like Léon Chanal , Emile Vacher and Martin Cayla .
Poulenc and the harpsichordist Wanda Landowska in 1930. This is a list of works written by the French composer Francis Poulenc (1899–1963).. As a pianist, Poulenc composed many pieces for his own instrument in his piano music and chamber music.
Musette is a style of French music and dance that became popular in Paris in the 1880s. Musette uses the accordion as main instrument, and often symbolizes the French art of living abroad. Émile Vacher (1883-1969) was the star of the new style. [2] Other popular musette accordionists include Aimable Pluchard, Yvette Horner and André Verchuren.
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It is important to note that the dance organ developed to closely follow the new emerging styles of popular music.The earliest organs musically aim to replicate and replace a small dance orchestra playing musical styles of the late 1800s—early 1900s and the sounds of the bal-musette.