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Émile Vacher (May 7, 1883 - April 8, 1969) was a French accordionist associated with, and often deemed the creator of, the bal-musette genre. [ 1 ] Discography 78s
Bal-musette is a style of French instrumental music and dance that first became popular in Paris in the 1880s. Although it began with bagpipes as the main instrument, this instrument was eventually replaced by the accordion , on which a variety of waltzes, polkas, and other dance styles were played.
The Bal-musette was a popular kind of dancing venue for working-class Parisians. It originated among the Auvergnats who came to Paris in large numbers in the 19th century. They took place at cafés and bars where patrons danced the bourrée to the accompaniment of the cabrette (a bellows -blown bagpipe locally called a " musette ") and often ...
- 1957 - Les quatre As du Musette (Disques Festival, FLD 26) with André Verchuren, Louis Ledrich, Louis Ferrari. - 1963 - Tangos et Paso-Dobles ( Odeon Records , XOC 1022) with Jo Privat. - 1974 - Paris Musette ( Barclay , 80.907 / 908) with Marcel Azzola, Claude Chevalier, Gus Viseur.
Musette is a style of French music and dance that became popular in Paris in the 1880s. Musette uses the accordion as main instrument, and often symbolizes the French art of living abroad. Émile Vacher (1883-1969) was the star of the new style. [2] Other popular musette accordionists include Aimable Pluchard, Yvette Horner and André Verchuren.
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The influence of Antoine Bouscatel led to bal-musette incorporating the Italian accordion, which soon came to dominate the music. This is the period that produced internationally known masters like Léon Chanal , Emile Vacher and Martin Cayla .
Amélie is the soundtrack album to the 2001 film of the same name.. Director Jean-Pierre Jeunet was introduced to the accordion and piano-driven music of Yann Tiersen by his production assistant.