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Pages in category "Tower Records soundtracks" This category contains only the following page. This list may not reflect recent changes. M. More (soundtrack)
The Hangover Part II: Original Motion Picture Soundtrack; The Hangover Part III (soundtrack) Happy Feet Two (soundtrack) Harry Potter and the Deathly Hallows – Part 1 (soundtrack) Harry Potter and the Deathly Hallows – Part 2 (soundtrack) Music of The Hobbit film series; Horrible Bosses (soundtrack) House of the Dragon: Season 1 (soundtrack)
The main theme was a hit in 1968. The soundtrack album was on the charts for more than a year, [2] reaching No. 4 on the Billboard pop album chart and No. 10 on the black album chart. [4] The main theme was also a hit for American musician Hugo Montenegro, whose rendition on the Moog synthesizer was a No. 2 Billboard pop single in 1968.
Last Action Hero (soundtrack) The Last Great Wilderness (album) Laurel and Hardy music; Lead Us Not into Temptation; Leningrad Cowboys Go America (album) Lisztomania (album) The Little Vampire (soundtrack) Live 1965: Music from Charlie Is My Darling; Love and a .45 (soundtrack) Love Me or Leave Me (Doris Day album) Love Me Tender (EP) Lullaby ...
Juice B Crypts is the fourth studio album by American experimental rock band Battles, produced by Chris Tabron, and released through Warp on October 16, 2019. It is the band's first album as a duo, following guitarist/bassist Dave Konopka's departure in 2018. [3] Battles toured Europe and North America from April to December 2019 in support of ...
For the Throne: Music Inspired by the HBO Series Game of Thrones is a soundtrack inspired by the television series Game of Thrones, released by Columbia Records on April 26, 2019.
The soundtrack to the series, featuring 32 tracks and totaling around 44 minutes in length, was released in the form of a double-disc 180-gram vinyl record by Mondo in July 2016. [6] The extended soundtrack debuted at San Diego Comic-Con on July 21, 2016, with a limited 1,000 copies, featuring a cover designed by Sam Wolfe Connelly.
Composer Daniel Blumberg had written over two hours of music for the film. [1] He stated that his biggest challenge was finding the right instruments to evoke the time periods of the film. He used brass instruments like the trumpet to convey "very peculiar sounds related to the construction".