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Who's Afraid of Virginia Woolf? is a 1966 American drama film directed by Mike Nichols in his directorial debut. The screenplay by Ernest Lehman is an adaptation of Edward Albee's 1962 play of the same name. It stars Elizabeth Taylor as Martha, Richard Burton as George, George Segal as Nick, and Sandy Dennis as Honey. The film depicts a late ...
George is an associate professor of history, and his wife Martha is the daughter of the president of the college where George teaches. After they return home from a faculty party, Martha reveals she has invited a young married couple she met at the party over for a drink.
Dennis' second film role was as Honey, the fragile, neurotic young wife of George Segal's character, in Who's Afraid of Virginia Woolf? (1966). Directed by Mike Nichols and starring Elizabeth Taylor and Richard Burton, the film was a huge critical and commercial success and Dennis won the Oscar for Best Supporting Actress for her role. [11]
Melinda Ruth Dillon (October 13, 1939 – January 9, 2023) was an American actress. She received a 1963 Tony Award nomination for her Broadway debut in the original production of Who's Afraid of Virginia Woolf?, and she was nominated for the Academy Award for Best Supporting Actress for Close Encounters of the Third Kind (1977) and Absence of Malice (1981).
Six films won multiple Oscars this year—A Man for All Seasons, Who's Afraid of Virginia Woolf?, Grand Prix, Fantastic Voyage, A Man and a Woman, and Born Free—a record that was later tied in 2010, 2012, and 2017, and surpassed in 2020/21, when seven films won at least two Oscars.
Edward Franklin Albee III (/ ˈ ɔː l b iː / AWL-bee; March 12, 1928 – September 16, 2016) was an American playwright known for works such as The Zoo Story (1958), The Sandbox (1959), Who's Afraid of Virginia Woolf?
In her six decades-long acting career, Taylor received five nominations for the Academy Award for Best Actress for the films Raintree County (1957), Cat on a Hot Tin Roof (1958), Suddenly, Last Summer (1959), BUtterfield 8 (1960), and Who's Afraid of Virginia Woolf? (1966), winning for these last two features.
Other than a very small number of major films that the studios were willing to publicize — The Fortune Cookie, Is Paris Burning?, Who's Afraid of Virginia Woolf? — completed or nearly completed black-and-white features were put into perfunctory release, but features that had been only partially completed were halted and ordered to restart ...