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Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. [1]
Improvisation, in theatre, is the playing of dramatic scenes without written dialogue and with minimal or no predetermined dramatic activity. The method has been used for different purposes in theatrical history. [11] The Ligue d'improvisation montréalaise (LIM) is a league of improvisational theatre based in Montreal, Quebec, Canada
Jazz improvisation by Col Loughnan (tenor saxophone) at the Manly Jazz Festival with the Sydney Jazz Legends. Loughnan was accompanied by Steve Brien (guitar), Craig Scott (double bass, face obscured), and Ron Lemke (drums). Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz ...
A fantasia (Italian: [fantaˈziːa]; also English: fantasy, fancy, fantazy, phantasy, German: Fantasie, Phantasie, French: fantaisie) is a musical composition with roots in improvisation. The fantasia, like the impromptu , seldom follows the textbook rules of any strict musical form .
While ragas in Hindustani music are divided into thaats, ragas in Carnatic music are divided into melakartas. A raga (IAST: rāga, IPA:; also raaga or ragam or raag; lit. ' colouring ' or ' tingeing ' or ' dyeing ' [1] [2]) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. [3]
In music and other performing arts, the phrase ad libitum (/ æ d ˈ l ɪ b ɪ t əm /; Latin for 'at one's pleasure' or 'as you desire'), often shortened to "ad lib" (as an adjective or adverb) or "ad-lib" (as a verb or noun), refers to various forms of improvisation.
Realization is the art of creating music, typically an accompaniment, from a figured bass, whether by improvisation in real time, or as a detained exercise in writing. It is most commonly associated with Baroque music .
The term can refer to both a technique—employed by any musician in any genre—and as a recognizable genre of experimental music in its own right. Free improvisation, as a genre of music, developed primarily in the U.K. as well as the U.S. and Europe in the mid to late 1960s, largely as an outgrowth of free jazz and contemporary classical music.