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Pumped full of lead Shot to death Informal Typically refers to being shot multiple times. Push up daisies [2] To have died and be buried under the ground Humorous, [1] Euphemistic [5] Early 20th century—also 'under the daisies', and 'turn one's toes up to the daisies', which date back to the mid-19th century. (See 'to turn up one's toes' below.)
"Love means never having to say you're sorry" is a catchphrase based on a line from the Erich Segal novel Love Story and was popularized by its 1970 film adaptation starring Ali MacGraw and Ryan O'Neal. The line is spoken twice in the film: once in the middle of the film, by Jennifer Cavalleri (MacGraw's character), when Oliver Barrett (O'Neal ...
The story affirms the ideal of man leading a simple, authentic life alongside nature through its portrayal of attitudes toward death. The author himself gave a thorough interpretation of his work in a letter to A.A. Tolstoy: [3] "My thought was: three creatures died -- a noblewoman, a muzhik, [4] and a tree. The noblewoman is pathetic and ...
Tough love is the act of treating a person sternly or harshly with the intent to help them in the long run. People exhibit and act upon tough love when attempting to address someone else’s undesirable behaviour. Tough love can be used in many scenarios such as when parenting, teaching, rehabilitating, self-improving or simply when making a ...
The young woman, Hilda Wangel, whose actions lead to the death of Solness, is the antagonist. [21] In Shakespeare's play Romeo and Juliet, Romeo is the protagonist. He is actively in pursuit of his relationship with Juliet, and the audience is invested in that story. Tybalt, as an antagonist, opposes Romeo and attempts to thwart the ...
A mortal wound is an injury that will ultimately lead to a person's death. [1] [2] Mortal refers to the mortality of a human: whether they are going to live or die. [3] Wound is another term for injury. The expression can also be used figuratively. [3]
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" Liebestod" ([ˈliːbəsˌtoːt] German for "love death") is the title of the final, dramatic music from the 1859 opera Tristan und Isolde by Richard Wagner. It is the climactic end of the opera, as Isolde sings over Tristan's dead body. The music is often used in film and television productions of doomed lovers. [1]