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Marxist cultural analysis is a form of cultural analysis and anti-capitalist cultural critique, which assumes the theory of cultural hegemony and from this specifically targets those aspects of culture that are profit driven and mass-produced under capitalism.
This is an accepted version of this page This is the latest accepted revision, reviewed on 24 January 2025. Economic and sociopolitical worldview For the political ideology commonly associated with states governed by communist parties, see Marxism–Leninism. Karl Marx, after whom Marxism is named. Friedrich Engels, who co-developed Marxism. Marxism is a political philosophy and method of ...
[58] [59] Breivik wrote that the "sexually transmitted disease (STD) epidemic in Western Europe is a result of cultural Marxism", that "Cultural Marxism defines Muslims, feminist women, homosexuals, and some additional minority groups, as virtuous, and they view ethnic Christian European men as evil" and that the "European Court of Human Rights ...
Non-Marxist art historians tend to view communism as a form of totalitarianism that smothers artistic expression and therefore retards the progress of culture. [43] In recent years there has been a reclamation of the movement in Moscow with the addition of the Institute of Russian Realist Art (IRRA), a three-story museum dedicated to preserving ...
Western Marxism is a current of Marxist theory that arose from Western and Central Europe in the aftermath of the 1917 October Revolution in Russia and the ascent of Leninism. [246] [247] The term denotes a loose collection of Marxist theorists who emphasize culture, philosophy, and art, in contrast to the Marxism of the Soviet Union. [248]
In Marxist philosophy, cultural hegemony is the dominance of a culturally diverse society by the ruling class who shape the culture of that society—the beliefs and explanations, perceptions, values, and mores—so that the worldview of the ruling class becomes the accepted cultural norm. [1]
For example, a Marxist aesthetic may be latent in Brecht's work, but he formulated his own distinct theory of art and its social purpose. One of the chief concerns of Marxist aesthetics is to unite Marx and Engels’ social and economic theory, or theory of the social base , to the domain of art and culture, the superstructure .
In Marxist philosophy, the term dominant ideology denotes the attitudes, beliefs, values, and morals shared by the majority of the people in a given society. As a mechanism of social control, the dominant ideology frames how the majority of the population thinks about the nature of society, their place in society, and their connection to a social class.